A black rectangular book cover or exhibition catalogue titled "JOE BRADLEY" in black capital letters at the top, and "VOM ABEND / ANIMAL FAMILY" in black capital letters at the bottom, displayed vertically against a plain white background. White line drawing on center of book.
An open art book showcasing a vibrant abstract painting by Joe Bradley across a two-page spread, featuring bold blocks of green, yellow, brown, and black with graphic shapes and lines, displayed flat against a white background.
An open art book featuring a collage of studio photographs and artwork documentation by Joe Bradley across a two-page spread, displayed flat against a white background.
An open art book showcasing a vibrant abstract painting by Joe Bradley across a two-page spread, featuring bold blocks of green, orange, blue, and yellow with graphic shapes and lines, displayed flat against a white background.
An open art book showcasing a vibrant abstract painting by Joe Bradley across a two-page spread, featuring bold blocks of green, orange, blue, and yellow with graphic shapes and lines, displayed flat against a white background.

Joe Bradley: Vom Abend/Animal Family

$80.00

Joe Bradley: Vom Abend/Animal Family presents work from two celebrated exhibitions at David Zwirner, in New York and London in 2024 and 2025. Bradley worked on the paintings in these two groups simultaneously, and their mutual influence is perceptible in the presence of shared or repeated colors, forms, and shapes. These paintings suggest a new turn in the artist’s practice, as figurative elements emerge as central compositional structures. Accompanying works on paper further illuminate Bradley’s multidimensional practice. An essay by art critic Caoimhín Mac Giolla Léith situates this series within the artist’s larger oeuvre, discussing Bradley’s evolution in art-historical and formal terms. In a conversation, Bradley and fellow artist Amy Sillman explore the role of humor in art—and the influence of comics in Bradley’s work—and discuss their relationships to art history, the embodied act of painting, and the catalysts that spur their production.